Painting skills are skills and abilities that allow you to create art and decorate surfaces with paint. There are technical skills that involve mixing colors, using painting tools, and applying painting techniques, but painting skills are also skills such as attention to detail and communication. Painters need good manual dexterity to achieve a good and clean coat. But you also need the strength and ergonomic skills to move equipment safely and efficiently, and a strong sense of balance so as not to fall off roofs and stairs.
As artists, the reality is that we can only copy what already exists in nature. Even abstract art is really an abstraction from reality, so one of the best things we can do as artists is to study nature. This can be related to any topic, and it can mean a simple observation when going to a photo session, sketching objects or live scenes to study lines and values, or perhaps developing color studies in which we try to combine colors or observe color combinations in nature. And don't be afraid to take reference photos of your inspiration.
Sometimes time runs out and we need to complete the effort back in the studio. The bottom line is that there is always something new we can learn from the painting of life. Realistic drawing has a profoundly rich history. The first skillful and realistic art known to man was created more than 32,000 years ago.
These drawings of animals on the walls of a cave in the south of France are stunning examples of realistic art. Not all contemporary living artists can necessarily portray wild animals by heart with such precision and knowledge. Realistic drawing has continued to develop throughout several periods of history, including Greek and Roman art, Renaissance and Baroque art, and later art schools in Europe and the rest of the world. The principle of constructive drawing is the cornerstone of drawing.
This principle allows artists to draw what they know or what they can imagine. With this ability, an artist can “build objects” into a work of art to make them look realistic and believable. Constructive drawing has many rules, such as drawing objects as if they were transparent and using imaginary auxiliary lines (such as axes of symmetry, perspective lines, and lines of proportions). I've met a lot of artists who admit that they can only copy; when it comes to drawing from life, they're out of depth.
This comes from the wrong ways in which students are taught to draw. Many artists only copy photos or images and never develop the ability of life to draw. I explain the cognitive process that reconfigures the brain to copy rather than draw in the video presentation “Drawing from photos vs. Drawing from life.
What allows an artist to draw from life? Although I mention it as a skill, in fact it is a combination of several abilities. It includes the mastery of constructive drawing, the ability to judge distances and proportions, the understanding of perspective, the ability to think three-dimensionally and others. Excellent summary of the essential skill. I like that the difference between the drawing of memory and imagination was mentioned, since they are different things.
When you first start your path to learning abstract painting, it can be difficult to figure out how to get ideas about what to paint. Learning these skills helps you make the most of your abstract painting classes and paint less traditional paintings masterfully. This visualization can consist of painting each step of the painting process, or simply on a specific area of the part that concerns you. Take this to painting, and it means drawing or painting a studio or a small painting every day, an activity that works that part of your creative brain.
It is a common misunderstanding that to learn the art of abstract painting, all you have to do is throw paint on a canvas and call it art. Painting can be literally superficial, but a good paint job or a bad paint job makes a big difference in the look and feel of a building, office space, or home. After painting for much of my life and having overcome many difficult learning curves, I have narrowed down what I consider to be the ten main actions that have helped me improve my painting over the years. Paints vary not only by color, but also by texture, gloss, viscosity, drying time and other factors.
In many ways, painting interiors and exteriors are very different jobs, since the types of paint and the tools needed are different for each one. One thing I often point out to students is the fact that during the time of the former teachers, when they hired an apprentice or student, that student could end up spending a whole year grinding and mixing the teacher's oil paint, as well as preparing painting surfaces. I simply close my eyes and perform the process that I plan to use to paint the piece, imagining myself painting each stage. .